Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Iskander Meets with the Sages,from the Khamsa of Nizami

ID: 30462

unknow artist Iskander Meets with the Sages,from the Khamsa of Nizami
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unknow artist Iskander Meets with the Sages,from the Khamsa of Nizami


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unknow artist

  Related Paintings of unknow artist :. | No title | Arab or Arabic people and life. Orientalism oil paintings 491 | Paul III Directing the Continuance of St.Peter-s | Ore angel Michael banishes the fallen away angels out of the sky | Pa Austria s batteridack lived sjomannen together with choir and father as stood tether among cannons and second weapon |
Related Artists:
Konrad of Soest
1370-1422 German Konrad Gallery
BOLLONGIER, Hans
Dutch painter, Haarlem school (b. ca. 1600, Haarlem, d. ca. 1675, Haarlem) Hans Gillisz. Bollongier or Boulenger (Haarlem, 1600-idem, 1645) was a still life Dutch painter.
Sienese school
The Sienese School of painting flourished in Siena, Italy between the 13th and 15th centuries and for a time rivaled Florence, though it was more conservative, being inclined towards the decorative beauty and elegant grace of late Gothic art. Its most important representatives include Duccio, whose work shows Byzantine influence; his pupil Simone Martini; Pietro and Ambrogio Lorenzetti; Domenico and Taddeo di Bartolo; Sassetta and Matteo di Giovanni. Unlike the naturalistic Florentine art, there is a mystical streak in Sienese art, characterized by a common focus on miraculous events, with less attention to proportions, distortions of time and place, and often dreamlike coloration. In the 16th century the Mannerists Beccafumi and Il Sodoma worked there. While Baldassare Peruzzi was born and trained in Siena, his major works and style reflect his long career in Rome. The economic and political decline of Siena by the 16th century, and its eventual subjugation by Florence, largely checked the development of Sienese painting, although it also meant that a good proportion of Sienese works in churches and public buildings were not discarded or destroyed by new paintings or rebuilding. Siena remains a remarkably well-preserved Italian late-Medieval town.






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